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P. 193. 46. Khayati, Cinémas arabes, pp. 77–87. 47. Mouny Berrah, ‘Algerian Cinema and National Identity’, in Arasoughly, Screens of Life, p. 64. 48. The script of this rarely shown film has been published: René Vautier, Afrique 50 (Paris: Editions Paris Expérimental, 2001). 49. René Vautier, Caméra citroyenne (Rennes: Éditions Apogées, 1998), p. 156. 50. Lotfi Maherzi, Le Cinéma algérien: Institutions, imaginaire, idéologie (Algiers: SNED, 1980), p. 62. 51. ), France-Algérie: Images d’une guerre (Paris: Institut du Monde Arabe, 1992), pp.
192. 19. Oliver, The African Experience, p. 302. 20. Cited in John Reader, Africa: A Biography of the Continent (Harmondsworth: Penguin Books, 1998), p. 627. 21. Reader, Africa, p. 627. 22. Ibid. 16 THE AFRICAN EXPERIENCE 23. Hull, Modern Africa, p. 184. 24. Donal B. , 2003), pp. 142–3. 25. Albert Memmi, The Colonizer and the Colonized (London: Souvenir Press, 1974), p. 106. 26. , pp. 104–5. 27. , p. 107. 28. Walter Rodney, How Europe Underdeveloped Africa (London: Bogle-L’Ouverture, 1972), p. 116.
13. Cited in Guillemette Mansour, Samama Chikly: Un Tunisien à la rencontre du XXème siècle (Tunis: Simpact Editions, 2000) (from which most of the information given here is derived), p. 29. 14. , p. 64. 15. , p. 254. 16. , p. 268. 17. Arnold Shepperson and Keyan G. ), Cinémas africains, une oasis dans le désert? (Paris: Corlet/Télérama/CinémAction 106, 2003), p. 252. 18. Tomaselli, Cinema of Apartheid, p. 11. 19. , p. 81. 33 AFRICAN FILMMAKING 20. Michael Raeburn, ‘Prétoria veut construire un “Hollywood” sud-africain .
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