By Cyril Aldred
240 pp. with 358 illus. (8 in colour) octavo.
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Extra info for Akhenaten and Nefertiti
If the background is in sunlight, get the foreground in sun, and if the background is in shadow, move the subject into shadow, changing the exposure as needed. For those used to shooting images on film, the contrast range of digital images is similar to the contrast range of slide film. This is particularly the same when it comes to highlights and overexposure, as digital has no tolerance for overexposure, although it can take several f/stops of underexposure, and slide film would largely be ruined.
At f/8 at ISO 100. WORKING WITH CONTRAST Take stock of where the light and shadows are in your scene. If the foreground of your image is in shadow and the background is sunlit, no matter how good the meter in your camera is, the foreground will be too dark, and the background too light. One of the easiest ways to avoid this is to get everything into or everything out of the light. If the background is in sunlight, get the foreground in sun, and if the background is in shadow, move the subject into shadow, changing the exposure as needed.
In digital SLR cameras, the light is metered through the lens, or TTL. These meters are a very accurate way for the camera to get the correct exposure. Three types of TTL metering are available in most digital SLR cameras and in many compact digitals. Depending on the camera maker, the first type of TTL meter might be called Evaluative, Segmented, Pattern, or Matrix. This meter takes Each camera’s spotmeter is a little bit different. The spotmeter does exactly what it sounds like, it takes a reading from exactly where you select to measure.
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